Balancing the character arc
But what I realized two days ago was that, in messing around with a couple of minor characters and even a major character or two, I was completely ignoring some changes that needed to be made to one of the two lead characters. I was coming to feel that there was something off about her, about the way she developed.
And then I realized--she didn't develop. She sprang into the book fully-formed, and continued from that point to wreak havoc on everybody she came into contact with. She was like Athena, leaping from the head of Zeus, only less mythical. This didn't make her particularly sympathetic, which I could live with--hey, very few of us feel sorry for absolutely every person we encounter--but it did leave her looking a little shallow.
So what did I do? I sanded her down a little. I took a fully-formed character and left her more vulnerable, with more to learn. This not only gives me a little more play as far as writing her into some of the earlier scenes, but it also gives her the potential for a little bit of understanding. Readers will get where she's coming from better than if she had been allowed to continue in her old incarnation.
After all, when you watch The Incredible Hulk, part of the fun is seeing the guy before he's the Hulk. If you don't know his pants ever fit, it doesn't seem quite as tragic that he outgrew them.
So I'm having a good time redrawing my own little Hulk from the ground up. And hoping that it helps the book evolve.
What made me think this was thinking, the other night, that I love writing about teens because everything they do is formative. Every conversation is important. Every encounter has the power to change your worldview. And my mind wandered to this character and wondered how her worldview had been changed in the narrative as it was.
Just some thoughts from the old noggin. Happy Thursday! The Office starts tonight! I am soooo excited.














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